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Breakfast at Tiffany's (1961)

  • Writer: Soames Inscker
    Soames Inscker
  • Apr 2
  • 4 min read

Updated: Apr 14


Audrey Hepburn as Holly Golightly
Audrey Hepburn as Holly Golightly

Breakfast at Tiffany’s (1961) is a romantic comedy-drama directed by Blake Edwards, based on Truman Capote’s 1958 novella of the same name. The film stars Audrey Hepburn as the enigmatic Holly Golightly, a charming yet troubled New York socialite, and George Peppard as Paul Varjak, a struggling writer who becomes entangled in Holly’s world. Over the years, the film has become an iconic piece of American cinema, celebrated for its fashion, performances, and its bittersweet love story.


Plot Summary


The story follows Paul Varjak, an aspiring writer who moves into an apartment in New York City and becomes captivated by his eccentric neighbour, Holly Golightly. Holly, a self-described “wild thing,” is a socialite who attends high-society parties and dreams of marrying a wealthy man. However, beneath her glamorous facade, she is deeply vulnerable and afraid of emotional attachment. As Paul and Holly’s friendship blossoms, Paul falls in love with her, but Holly remains fixated on financial security, believing love to be a luxury she cannot afford.


Throughout the film, Holly’s past is gradually revealed, including a complicated marriage, personal struggles, and her attempts to reinvent herself in New York. The climax sees her forced to confront her fears about love and commitment when Paul confesses his feelings for her, leading to one of the most famous and poignant endings in cinematic history.


Performances and Characters


Audrey Hepburn’s performance as Holly Golightly is widely regarded as one of her best and one of the most memorable in film history. Hepburn infuses Holly with both charm and vulnerability, making her a character who is simultaneously captivating and tragic. Her portrayal of Holly’s inner turmoil, masked by her carefree exterior, adds depth to what could have been a superficial role. The film solidified Hepburn’s status as a fashion icon, thanks in part to the famous Givenchy-designed black dress she wears in the opening scene.


George Peppard delivers a solid performance as Paul Varjak, bringing a quiet and introspective energy that balances Holly’s chaotic nature. While his role is more reserved, his chemistry with Hepburn gives the film its emotional core. Supporting performances, including Patricia Neal as Paul’s older benefactor and Buddy Ebsen as Holly’s past connection, add further depth to the story.


One of the more controversial elements of the film is Mickey Rooney’s portrayal of Mr. Yunioshi, Holly’s Japanese landlord. His exaggerated, offensive caricature has been widely criticised as a racist stereotype and remains one of the most problematic aspects of an otherwise beloved film.


Themes and Symbolism


At its core, Breakfast at Tiffany’s explores themes of identity, loneliness, love, and self-discovery. Holly is a woman searching for meaning and stability, but she equates both with wealth and material success rather than emotional connection. Paul, in contrast, represents the idea that love can be fulfilling even without financial security.


The film also portrays New York City as a character in itself, a glamorous yet isolating place where people reinvent themselves and escape their pasts. Tiffany & Co., where Holly finds solace in window-shopping, symbolises her longing for an idealised life of luxury and security—something she fears is unattainable without wealth.


Direction and Cinematography


Blake Edwards’ direction brings a light yet sophisticated touch to the film, balancing humour and drama with precision. The cinematography by Franz Planer captures the vibrancy of New York City, making it a romanticised setting that enhances the film’s dreamy and nostalgic tone.

The film’s pacing allows for moments of lightheartedness and emotional depth, ensuring that the audience remains engaged with Holly’s journey. The now-iconic scenes—Holly’s “Moon River” performance on the fire escape, the wild party in her apartment, and the final scene in the rain—are all masterfully executed, leaving a lasting impression on viewers.


Music and Score


Henry Mancini’s score is an essential part of the film’s charm, with Moon River becoming one of the most beloved songs in film history. The song, performed by Hepburn herself, perfectly encapsulates Holly’s longing for a place where she belongs. Mancini’s orchestral compositions enhance the film’s emotional depth and contribute to its timeless appeal.


Cultural Impact and Legacy


Breakfast at Tiffany’s has endured as a classic film, influencing fashion, music, and romance in cinema. Holly Golightly remains one of the most iconic characters in film history, with her stylish wardrobe and free-spirited persona continuing to inspire audiences. The film also helped cement Audrey Hepburn as one of Hollywood’s most beloved actresses.


Despite its problematic elements—particularly the racist portrayal of Mr. Yunioshi—the film remains beloved by many for its timeless romance, stunning visuals, and memorable performances. It continues to be a staple in discussions of classic Hollywood films and is often cited as one of the greatest romantic movies of all time.


Final Verdict


While Breakfast at Tiffany’s is not without its flaws, it remains a captivating and beautifully crafted film that continues to resonate with audiences. Audrey Hepburn’s performance, combined with Henry Mancini’s music, Blake Edwards’ direction, and the film’s exploration of love and identity, make it a timeless classic. For those who can appreciate its strengths while acknowledging its dated elements, Breakfast at Tiffany’s is a must-watch and an essential part of film history.


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