6 Star Films

While William Powell and Myrna Loy are best remembered for their sparkling chemistry in comedies like The Thin Man series, Evelyn Prentice (1934) offers a fascinating early glimpse of the duo in a markedly different light.

Sinbad and the Eye of the Tiger (1977) is the third and final entry in the Columbia Pictures trilogy of fantasy-adventure films featuring the legendary sailor Sinbad, following The 7th Voyage of Sinbad (1958) and The Golden Voyage of Sinbad (1973).

The Grass Is Greener (1960) is a genteel romantic comedy with a razor-sharp wit and a star-studded cast, wrapped in a quintessentially British setting. Directed by Stanley Donen, best known for musicals like Singin’ in the Rain and Funny Face, this film adapts a popular stage play by Hugh Williams and Margaret Vyner into a charming yet subtly subversive film that examines marriage, fidelity, and class with elegant humour.

Following the surprise success of Romancing the Stone (1984), a spirited action-romance adventure in the vein of Indiana Jones, it was inevitable that a sequel would follow. Enter The Jewel of the Nile (1985), which reunites the dynamic trio of Michael Douglas, Kathleen Turner, and Danny DeVito for another globetrotting escapade.

Turner & Hooch (1989) is a quintessential example of the buddy-cop comedy formula with an inspired twist: one half of the duo is a rambunctious, slobbering Dogue de Bordeaux. Directed by Roger Spottiswoode and starring Tom Hanks at the height of his comedic phase, the film merges crime-solving, slapstick humor, and unexpected emotional depth into a commercially successful and fondly remembered entry in the genre.

Released in 1989 and directed by Joe Dante, The 'Burbs is a pitch-black suburban satire wrapped in a slapstick horror-comedy cloak. With Tom Hanks leading a gifted ensemble cast, the film explores paranoia, boredom, and suburban conformity through the lens of middle-class America gone slightly mad. Blending Hitchcockian suspense with cartoony humour, The 'Burbs delivers a unique and highly entertaining take on neighbourhood neuroses and mob mentality.

The 1987 film Dragnet is a sharp, satirical update of the iconic police procedural television series created by Jack Webb in the 1950s. Directed by Tom Mankiewicz (a veteran writer of James Bond and Superman films), Dragnet reimagines the sober, no-nonsense law enforcement style of the original for a more ironic, comedic 1980s audience.

When Ocean’s 11 premiered in 1960, it was less a film and more a cultural event. Marketed as the ultimate Rat Pack vehicle, it brought together the most charismatic entertainers of the era—Frank Sinatra, Dean Martin, Sammy Davis Jr., Peter Lawford, and Joey Bishop—for a stylish caper set against the glittering backdrop of Las Vegas.

Revenge of the Pink Panther (1978) is the fifth and final Pink Panther film to be released during Peter Sellers' lifetime, and the last of the series made before his death in 1980. Directed once again by Blake Edwards, the film continues the comic misadventures of the eternally clumsy Inspector Jacques Clouseau, this time embroiled in a plot involving the French underworld, international intrigue, and mistaken death.

Released in 1983, The Man with Two Brains is a wildly inventive sci-fi comedy that serves as a hilarious satire of mad scientist tropes and classic horror conventions. Directed by veteran comedy filmmaker Carl Reiner, the film stars Steve Martin at the peak of his manic comic powers, paired with the sultry and dangerous Kathleen Turner.

The 1976 version of A Star Is Born marks the third cinematic iteration of a now-legendary Hollywood story—tracing the rise of a young performer as she eclipses the fading star who mentors her. Whereas the 1937 and 1954 versions (starring Janet Gaynor and Judy Garland, respectively) were set in the film industry, this update transposes the drama into the world of the 1970s rock music scene.

Popeye (1980) is one of the most curious cinematic endeavors to emerge from a major studio in the post-Star Wars era, when Hollywood was chasing family-friendly properties with franchise potential. Directed by auteur Robert Altman and starring the late Robin Williams in his first major film role, Popeye adapts the iconic comic strip and cartoon sailor into a live-action musical—a genre hybrid that baffled critics and audiences alike at the time of its release.

Every Which Way But Loose is a film that defied expectations and box office predictions. Starring Clint Eastwood—then best known for his stoic, hard-edged roles in Westerns and crime dramas—it marked a striking detour into the realm of redneck comedy, complete with bar brawls, honky-tonk ballads, and a scene-stealing orangutan named Clyde.

The Cockleshell Heroes is a compelling British war film based on the real-life Operation Frankton, a daring 1942 British Royal Marines raid on German shipping in the port of Bordeaux. Directed by and starring José Ferrer, the film was a rare attempt in the 1950s to dramatize British military heroism with an American-Hollywood sensibility while retaining a fundamentally British tone.

Released in 1986, Running Scared is a quintessential 1980s buddy-cop action-comedy that blends sharp dialogue, charismatic leads, and brisk pacing with an emotional core that's rare for the genre. Directed by Peter Hyams (Capricorn One, 2010), the film pairs Billy Crystal and Gregory Hines as two wisecracking Chicago cops on the brink of retirement who are forced back into action when a drug lord they've been chasing resurfaces.

Phillip Noyce’s Dead Calm is a taut, minimalist psychological thriller that wrings maximum tension from a deceptively simple setup. Set almost entirely on the open sea, the film traps its trio of characters—each battling their own past traumas and inner demons—within the isolating confines of a sailboat in the middle of nowhere.

Clint Eastwood’s directorial debut, Play Misty for Me (1971), is a taut, unnerving psychological thriller that helped usher in a new era of American cinema in the 1970s—where violence, sexuality, and psychological instability were explored with a rawness previously rare in mainstream film.

Escape to Victory (also released simply as Victory in the U.S.) is a peculiar and oddly charming fusion of World War II prison escape drama and rousing underdog sports film.

See No Evil, Hear No Evil (1989) is the third in a string of collaborative comedies between two of the most beloved comic actors of the 1970s and 1980s: Richard Pryor and Gene Wilder. Following the massive success of Silver Streak (1976) and the solid reception of Stir Crazy (1980), this film attempted to capitalize on their proven chemistry with a high-concept premise—two men, one blind and the other deaf, unwittingly caught in a murder and jewel-smuggling plot.

Released in 1986 and directed by John Landis, Three Amigos! is a comedic Western that brings together three of the biggest comedy stars of the era—Steve Martin, Chevy Chase, and Martin Short—in a spoof that lovingly pokes fun at silent film-era heroes, Mexican Western tropes, and the inflated egos of Hollywood performers.